https://www.asanderson.art/painting daily 0.75 2026-10-16 https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1723044537000-JDS1ADX4CH3IUKK3K7OG/Alex+Anderson+_+010.JPG Flatwork - Rays, 2024, oil and reflective vinyl on canvas https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1723044296503-49JIHDB2BABB41ZGF7LK/Alex+Anderson+_+011.JPG Flatwork - Late to Turn, 2023, oil, chalk, stone and vinyl https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1691604546176-BRKQLAHFY1SCGRY5V2XR/69854770656__E982472D-57AA-40E4-AF3A-5E5D4A7FB98D.jpeg Flatwork - Hacking Edges, 2023, paint and vinyl on canvas https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1723060682458-7LJRCMTAUHEXFME7SOK1/Alex+Anderson+_+015.JPG Flatwork - Reservoir, 2024, reflective vinyl, plastic tubing, steel, wood, wax, water and pump https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1723061208788-XNJ025XR0J0Y94Q2KHWI/Alex+Anderson+_+013.JPG Flatwork - Sheets and Edges, 2024, paint and collage on canvas https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1722998703126-7ENY5UIN8M6A9BU7VTHD/Alex+Anderson+_+017.JPG Flatwork - Holding Yellow, 2021, antique engraving, reflective vinyl and a cutout of another artist’s photograph from an exhibition catalogue https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1722999696197-VY3B7QDGOT23BC1VB22I/Alex+Anderson+_+019.JPG Flatwork - Alphabetical, 2021, antique engraving and reflective vinyl https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1722999990843-1S1KMB8WDMNDRVBFXP1L/Alex+Anderson+_+020.JPG Flatwork - The Conference of the Birds, 2021, antique engraving and reflective vinyl https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1723000236517-D3SIXLITLTNVIM7D3P9C/Alex+Anderson+_+021.JPG Flatwork - Acacia Cultiformis (Secret Handshake), 2021, antique engraving and reflective vinyl https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1723001601329-685RON7NI7O5FOYOQEGN/Alex+Anderson+_+022.JPG Flatwork - Acacia Oxycedrus, 2021, antique engraving and reflective vinyl https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1722999334524-2K5RYWO03MEX36EX05KO/Alex+Anderson+_+018.JPG Flatwork - The Parish Church of Alhallons the Great, 2021, antique engraving and reflective vinyl https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1691599164423-WZGEZZQB7AWBMG80FFHH/IMG_3420.jpeg Flatwork - Olive Grove, 2023, reflective vinyl https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1691598016947-LV9IF4S1N3P1I6ENQQ4M/IMG_3371.jpeg Flatwork - Heat Down, 2023, paint, vinyl, plastic and stone https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1691600241315-Z6D7ROLQB1T152ASRIDN/IMG_3336.jpeg Flatwork - Paracuru, 2023, pastel, paint, reflective vinyl, plastic and canvas https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1691599637546-BXO81RORIUIZ688H7SQ9/IMG_3487.jpeg Flatwork - Modification, 2023, wood, paint and reflective vinyl https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1691600715161-LXMPWAI3YDJJY3ZU2G8X/IMG_3322.jpeg Flatwork - Ceará, 2023, paint, reflective vinyl, plastic and wood https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1691607624730-SND408CNR42XM0QYIX2C/IMG_3408.jpeg Flatwork - New Leaves, 2023, reflective vinyl https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1691598863670-IT98PNS9JGEMGJMOYKA7/IMG_3439.jpeg Flatwork - Hokusai's Children, 2023, reflective vinyl https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1636357523698-ZSXVU8QLMZVCM025IHH6/2FD3081A-4F5B-4933-8E48-2165A7F81766.jpeg Flatwork - Suns for Basho, 2021, wood, acrylic and hi-vis vinyl https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1571933725159-SZTK1LX3R4FAA6YWRYKC/DSC00168.jpeg Flatwork - Upgrade, 2019, mixed media https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1593460577963-Y0WP1YVYKIJ88DW3M927/IMG_1273D.jpeg Flatwork - Ricordarsi, ink on newsprint https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1632068082168-AMTNVEN7WQF0SZEHAKT4/IMG_1125.jpeg Flatwork - Hot Tin, 2019, aluminum, vinyl, model tarmac, model turf and nails https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1547451485522-0REH1S5OR0JQP8FFNVSU/IMG_1295.jpg Flatwork - Shroud Piece, 2016, canvas, plaster, acrylic, palm ash, wax and singed burlap https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1593034671030-XJ54U88AOB29JINUDJPL/image.jpeg Flatwork - Relief, ink on newsprint https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1691610863593-P0A171R94GLTO5H9XXST/IMG_1293.jpg Flatwork - White Mountains Jar, 2016, canvas, acrylic, oil, plaster, ash and wood charcoal https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1593461065270-606RL0S72M88HYZ0JB1K/IMG_1255D.jpeg Flatwork - Message, ink on newsprint https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1642089107206-RJ07V5VE3U83L8XBR0E9/IMG_1133.jpeg Flatwork - Packaging/Un-packaging, 2019, wood, canvas and ceramic shell https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1655118417225-0GABZ8H0E2WBTPO45TEA/IMG_7685.jpeg Flatwork - Sun Setters Series, 2022, cut antique engravings and reflective vinyl https://www.asanderson.art/sculpture daily 0.75 2026-10-16 https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1722985190886-KGPU9L5QXJ454XOCO82L/Alex+Anderson+_+006.JPG Sculpture - Fireplug, 2024, sculpture of an automotive jack, stone and reflector rods https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1722985036891-P1HVLUJA6JYNM6LPS8QZ/Alex+Anderson+_+001.JPG Sculpture - Splitter, 2024, sculpture of an automotive jack, stone and reflector rods in the Sonoran desert https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1722985438813-CAEFWA3747JBV9Q9BRC4/Alex+Anderson+_+008.JPG Sculpture - Whiskers, 2020, sculpture of an automotive jack, stone and reflector rods https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1662904800102-YX2SI8BNH8USNWSBQ7AI/LrywR2As.jpeg Sculpture - Yesterday's Sun, 2022, installation of wood, honey, burlap, IV drips, cymbals and string 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https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1597717632954-PK17RXU721JNKZ261JPR/IMG_2080.jpg Sculpture - Wind Phrases, 2020, detail of stone and reflector rods at The Land With No Name https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1597778858075-YZ6FT6MV8LFBF7QDBMQK/Pasted+Graphic.png Sculpture - Galley Sock, 2020, wind sock on a steel and marble base with wind-activated fog lights https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1597785666789-Y1MUTX4YP4NPLF8QZTYK/IMG_1853.jpg Sculpture - Whiskers and Feathers, 2020, stone, reflector rods, automotive jacks and concrete https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1597699996960-S6E5UPMVW5667Z6CQJO4/IMG_2118.jpg Sculpture - Trabucco, 2020, volcanic stone, reflector rods, automotive jacks and cinder blocks https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1597785883105-K3PRG9USN5E47A1SM9JI/IMG_2114+2.jpg Sculpture - One Sending/One Receiving, 2020, stone, reflector rods and ham radio tower https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1631893699942-81YB8W636BZK1D3T5WB8/Image-1+7.jpg Sculpture - Home, 2020, adobe brick from the artist's grandparents' desert home, marble, rope and walker https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1580227862827-24SCP58AM5URRAP4JCUI/IMG_0937.jpeg Sculpture - Perseid Project, 2019, stone, vinyl and theodolite tripod, Barnes Garage, Glasgow https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1691773450141-UKKJA42ADH7J9WNGUYKX/IMG_0431.jpeg Sculpture - Aeaea, 2019, stones, theodolite tripod and toy boat deck https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1547523120113-ZNANIDWKQGXXJAB6RNQQ/DSC_3002+2.jpeg Sculpture - Bench, 2019, painted wood https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1655115279467-WVU24S4HX140VPGH254P/51939995374_37bccf6694_o.jpg 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https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1739117045129-CT21V2HK4KZPGXSVZN2X/WhatsApp+Image+2025-01-30+at+13.14.51+%283%29.jpeg Photography - The Quiraing beyond the valley, Isle of Skye, Scotland, photograph by Alexander Anderson https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1741639116709-79DPUGOJXEGXLNKN4D2C/DSC01626+copy.JPG Photography - Where clouds and snow unite, Switzerland, photograph by Alexander Anderson https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1739117832443-OX7N4JVDGD57YUYOI9TW/WhatsApp+Image+2025-01-30+at+13.14.51+%286%29.jpeg Photography - Castle Rock, Kansas, photograph by Alexander Anderson https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1753713820986-W5IM43UOA0I4S1QXHU0T/DSC01578.JPG Photography - Ancient ruins and a lone tree on the hilltop at Pergamon, Turkey, black-and-white photograph by Alexander Anderson https://www.asanderson.art/archive daily 0.75 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https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1547969765623-KCP5K522SGZC3ZY8PV6S/DSC03149.jpg Archive https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1691789649144-D5CUS83BM2FTYVRXQA25/IMG_7411.jpeg Archive - Confetti, 2021, wood, reflective vinyl and asphalt patch https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1547451551734-K8IY7ZZTO3WVNV6HA2GF/IMG_1292.jpg Archive - Fermata, 2016, pigment wash, oil stick, barn wood and acrylic https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1691610039020-2AECT1QQ00W58E121Z3Y/IMG_1294.jpg Archive - Departed, 2016, canvas, oil stick, marble dust and steel rod https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1641666097320-ST68X0LVROW8H0XUOOPT/IMG_2967.jpeg Archive - Unmet, 2020, mixed media on canvas https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1641666468055-VXR5HRQ5YI9FZREBX90N/IMG_3346.jpeg Archive - Plunge, 2020, mixed media on canvas https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1673978735220-3094LXL8TP8K1J26D1ZT/9FACC60D-5FEA-4C06-BB4D-E1B5ADBC3643.jpeg Archive - To Lorca, 2020, mixed media on canvas https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1547451611990-286NDTWBRVJAEAB7HV8A/IMG_1291.jpg Archive - Angels of the Leaves, 2016, canvas, wood, plaster, marble dust, wire, clay, ash and oil https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1691792721797-A4ESMAFEB3918TS7P1NJ/IMG_1034.JPG Archive - Mitosis, 2016, paint, plaster, heat, flame retardant insulation and charcoal on canvas https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1631635828553-O5X9C3VM070EQH07S183/IMG_0467.jpeg Archive - She Sang and Singing Made, 2019, mixed media on canvas https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1642088664353-O6RL05XI1B20AXUXDYGH/IMG_1130.jpeg Archive - Lift, 2019, gel transfer and foam core https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1642089877230-JCQJUYCCPZWOM57WAZZN/IMG_1104.jpeg Archive - Tabulae, 2019, ceramic shell and foam core https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1642091115980-1BYV509MWRL1QU56YRPG/IMG_1148+2.jpeg Archive - Fan, 2019, wood, canvas and paint https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1571931627717-V9N7K3M0M5Q2WNWKAHJ2/DSC00248.jpeg Archive - Pull, 2019, wood, canvas and paint https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1571932521831-BOZD3LQB4N2MMXXOBU28/DSC00250.jpeg Archive - Fragments, 2019, wood, canvas and ceramic shell https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1547451382108-TTHIW0HW2BDAK6DT80C2/Anderson_Alex_2.jpg Archive https://www.asanderson.art/prints daily 0.75 2026-10-30 https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1793230747195-K0G8CJL1O5ML1BKSJ6MZ/Alex+Anderson_without+the+wind%2C+the+work+is+mute_2026_front_84+x+55.6+cm.jpg Prints - without the wind, the work is mute, 2026 Archival pigment print on cotton paper, 84 × 55.6 cm After Wind Phrases (2020), The Land With No Name Sanctuary, Sierrita Mountains, Arizona. A photograph taken on 5 August 2020 at 19:14:27, three minutes before sunset, is crossed by a grid of 253 cells that spells the title in Morse code. Where the signal is on, the photograph appears; where it is off, only a trace of it. Across the valley, the Kitt Peak telescopes were closed that summer. https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1793275599108-VWJ7YTUPLP0IKEPTGEN3/Alex+Anderson_trabucco%2C+18-19-38_2026_front_55.6+x+84+cm.jpg Prints - trabucco, 18:19:38, 2026 Archival pigment print on cotton paper, 55.6 × 84 cm After Trabucco (2020), part of Wind Phrases, The Land With No Name Sanctuary, Sierrita Mountains, Arizona. A photograph taken on 5 August 2020 at 18:19:38, an hour before sunset, is laid under a grid of 544 cells, one for each second counted back from the shutter. In the first 106, filmed while walking around the installation, the photograph appears wherever the Trabucco was in view: faintly when far off, whole when faced. The walk catches only sky; the stone never appears. Across the valley, the Kitt Peak telescopes were closed that summer. https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1793274110547-Y0CIOK6SCI8XGV4N9P2K/Alex+Anderson_galley+sock%2C+18-45-49_2026_front_55.6+x+84+cm.jpg Prints - galley sock, 18:45:49, 2026 Archival pigment print on cotton paper, 55.6 × 84 cm After Galley Sock (2020), The Land With No Name Sanctuary, Sierrita Mountains, Arizona. A photograph taken on 26 July 2020 at 18:45:49, forty minutes before sunset, is crossed by a grid of 272 cells, one for each second of the search for wind that began at 18:41:18. In each recorded second, the photograph appears as far as the windsock lifted: hanging, nothing; flying level, all of it. Unrecorded seconds are left blank; the second of the photograph is whole. Across the valley, the Kitt Peak telescopes were closed that summer. https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/dce9b9f3-eca3-45bd-83dc-b301e62315df/to+wait%2C+2026+%28rules+for+new+work%29.jpg Prints https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1793306084189-RDUO4ZQEXWTWGN2KKUBR/Alex+Anderson_galley+sock%2C+18-41-18+to+18-45-49_2026_front_55.6+x+84+cm.jpg Prints - galley sock, 18:41:18–18:45:49, 2026 Archival pigment print on cotton paper, 55.6 × 84 cm After Galley Sock (2020), The Land With No Name Sanctuary, Sierrita Mountains, Arizona. On 26 July 2020, from 18:41:18 to 18:45:49, I moved the work between trees, path and deck in search of wind. One cell holds one second: each recorded second shows what the camera saw, in grey, and the sock’s red returns only as far as it lifted. Unrecorded seconds are left blank; the last second, the photograph, is in colour. Across the valley, the Kitt Peak telescopes were closed that summer. https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1793354874307-0ZYT7H7GPUQPPEROVGRO/dragging+saguaro%2C+19-05-37+to+19-07-43+%28proof%29.jpg Prints - dragging saguaro, 19:05:37–19:07:43, 2026 Archival pigment print on cotton paper, 55.4 × 84 cm On 18 April 2020 in Arizona, four minutes after sunset, I dragged the skeleton of a saguaro by a wire along a desert wash, filming as I went. One cell holds one second: each shows the frame where that second sounds loudest, printed as strongly as it sounds. The loudest seconds are the dry ribs grinding over the stones; the faintest come first, where my finger covers the lens, and the last are the trail left in the gravel. Nothing in the recording carries a marker colour, so the whole grid is grey. https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1793355120337-OFL2TSO9YQIGBRDAY5W0/Alex+Anderson_carrying+the+theodolite%2C+16-17-06+to+16-19-36_2026_front_55.4+x+84+cm.jpg Prints - carrying the theodolite, 16:17:06–16:19:36, 2026 Archival pigment print on cotton paper, 55.4 × 84 cm On 13 November 2019 in Glasgow, two minutes after sunset, I carried the stand of an antique theodolite along a path and across a road, filming as I walked. One leg reaches into almost every frame, held out ahead like a sighting line. One cell holds one second: each shows the frame where that second sounds loudest, printed as strongly as it sounds. The loudest seconds are the road crossing, where the traffic is louder than my footsteps. Nothing in the recording carries a marker colour, so the whole grid is grey. A month later the same stand held the stones of perseid project. https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1793355336169-06KVD8Z4889LCTOEZMKO/Alex+Anderson_perseid+project%2C+15-52-05+to+15-53-32_2026_front_55.4+x+84+cm.jpg Prints - perseid project, 15:52:05–15:53:32, 2026 Archival pigment print on cotton paper, 55.4 × 84 cm On 12 December 2019 in Glasgow, nine minutes after sunset, I filmed my installation perseid project: stones marked with red, yellow and blue reflective vinyl, set on the stand of an antique theodolite as if surveying the land, with the sound of shorestones on skye playing in the room. One cell holds one second: each shows the frame where that second sounds loudest, printed as strongly as it sounds. Only the colours of the vinyl keep their colour. The yellow rods of a neighbouring work keep theirs too, because the rule keeps them, and the points of colour scatter through the grid like a meteor shower. https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1793367272355-ZXCRLU86DN9VFX9FRGL1/Alex+Anderson_earth+drawing%2C+14-26-22+to+14-26-58_2026_front_55.4+x+84+cm.jpg Prints - earth drawing, 14:26:22–14:26:58, 2026 Archival pigment print on cotton paper, 55.4 × 84 cm On 15 July 2017, during the Ecosphere Studies workshop at the University of Kansas, I drew in a dry pond bed with my feet, following its curve until I met its edge or a line I had already made. One cell holds one second: each shows the frame where that second sounds loudest, printed as strongly as it sounds. The loudest seconds are my boots dragging through the cracked mud; the quietest are almost bare paper; in the last, the camera lifts and the line itself appears. Nothing in the recording carries a marker colour, so the whole grid is grey. https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1793368671321-DO07KBKOYE3GJ2C3FRPD/Alex+Anderson_five+mast+viewing+device%2C+13-50-34+to+13-50-50_2026_front_55.4+x+84+cm.jpg Prints - five mast viewing device, 13:50:34–13:50:50, 2026 Archival pigment print on cotton paper, 55.4 × 84 cm Five Mast Viewing Device was made entirely of reclaimed steel and glass for the sustainability initiative at Johnson County Community College, Kansas, and stood on the college field in 2016 until it was demolished for a new building. On 10 May 2016 I walked through it filming for sixteen seconds. One cell holds one second: each shows the frame where that second sounds loudest, printed as strongly as it sounds. The loudest seconds are where the masts swing close and the wind is strongest; the quietest are almost bare paper. The work no longer stands; this is part of its record. https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/ea333f1e-0156-47a1-890d-22677c0d845b/Alex+Anderson_a+book+of+hours%2C+10+may+2016+%E2%80%93+15+august+2020_2026.jpg Prints https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1793372961453-SEQZ7HBLUFLQGP6IO8DX/Alex+Anderson_water+over+shorestones%2C+11-22-25+to+11-22-28_2026_front_84+x+55.4+cm.jpg Prints - water over shorestones, 11:22:25–11:22:28, 2026 sext, from off grid, on grid · 3 Archival pigment print on cotton paper, 84 × 55.4 cm Water running over the foreshore stones of the Isle of Skye, the first thing I recorded that morning, about eighteen minutes before the carrying began. One cell holds one second: each shows the frame where that second sounds loudest, as strongly as it sounds. The water barely changes; the fourth cell holds only a quarter-second. https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1793372707764-IV4ACALUPT2RFR5MYHL3/Alex+Anderson_shorestones+on+skye%2C+11-22-25+to+11-54-19_2026_front_55.4+x+84+cm.jpg Prints - shorestones on skye, 11:40:24–11:40:58, 2026 sext, from off grid, on grid · 2 Archival pigment print on cotton paper, 55.4 × 84 cm On 5 November 2019, on the foreshore of the Isle of Skye, I filmed myself walking over the stones and dropping one onto a pile. One cell holds one second: each shows the frame where that second sounds loudest, as strongly as it sounds. My footsteps come through in grey; the stone landing on the pile is in colour; after it, near silence. The sound of this clip was later played in Perseid Project (2019), beneath stones set on an antique theodolite stand. https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1793321870429-CHB76T0T7QCXNVHWTHT3/Alex+Anderson_shorestones+on+skye%2C+11-22-25+to+11-54-19_2026_front_55.4+x+84+cm.jpg Prints - shorestones on skye, 11:22:25–11:54:19, 2026 sext, from off grid, on grid · 1 Archival pigment print on cotton paper, 55.4 × 84 cm The whole morning on the Isle of Skye, 5 November 2019, one cell for each second from 11:22:25 to 11:54:19. Five recordings made on the foreshore: water running over the stones, the walk out from a pile of stones, the walk back and the drop, a look across the loch, and my shadow. Each recorded second shows the frame where it sounds loudest, as strongly as it sounds; colour comes only where a stone sounds louder than any footstep. The minutes no one recorded are left blank. The stones are under water part of each day, and the tide was rising. Sext is the office of the sixth hour. Counting the day from sunrise to sunset in twelve parts, as the old offices did, the sixth hour that day ran from about 11:22 to 12:07. The first recording began at 11:22:25, as the sixth hour opened. Where vespers gathers the evening works, sext holds those made at midday. https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1793373392464-SI9LWMPXHSYI8QIIQ4XY/Alex+Anderson_stone+rocking+in+clay%2C+17-44-15+to+17-47-11_2026_front_55.4+x+84+cm.jpg Prints - stone rocking in clay, 17:44:15–17:47:11, 2026 Archival pigment print on cotton paper, 55.4 × 84 cm On 16 February 2020, just after sunset, a second stone in the same studio: dark and mossy, marked with blue reflective vinyl, rocked into the clay underfoot and filmed from where I stood. One cell holds one second: each shows the frame where that second sounds loudest, printed as strongly as it sounds. Only the blue keeps its colour. https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1793373583360-NCC83LI99CD9RM39FQS8/Alex+Anderson_stone+into+clay%2C+13-12-15+to+13-17-32_2026_front_55.4+x+84+cm.jpg Prints - stone into clay, 13:12:15–13:17:32, 2026 Archival pigment print on cotton paper, 55.4 × 84 cm On 17 February 2020, a fixed camera in the same studio: I rock the stone into the clay by hand, then stand on it and rock it with my feet, then by hand again. Here the stone decides. Each second shows the frame where the red vinyl moved most, printed as strongly as it moved. Where I rock hardest the cells darken; when the stone settles, the paper empties. https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1793330321862-PKES4WVKTVFE5T2BVMQ8/stone+into+clay%2C+13-12-15+to+13-17-32+%28proof%29.jpg Prints - stone into clay, 13:12:15–13:17:32, 2026 Archival pigment print on cotton paper, 55.4 × 84 cm On 17 February 2020, a fixed camera in the same studio: I rock the stone into the clay by hand, then stand on it and rock it with my feet, then by hand again. Here the stone decides. Each second shows the frame where the red vinyl moved most, printed as strongly as it moved. Where I rock hardest the cells darken; when the stone settles, the paper empties. https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/f1ee6b6a-9b03-46c6-807c-4da608d2e127/to+wait%2C+2026+%28rules+for+new+work%29.jpg Prints https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1793306200005-394WA2VI7UFJTK8L940W/Alex+Anderson_without+the+wind%2C+the+work+is+mute_2026_front_84+x+55.6+cm.jpg Prints - without the wind, the work is mute https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1793306196439-WPZV66YTICHUOK5C0OLT/Alex+Anderson_galley+sock%2C+18-45-49_2026_front_55.6+x+84+cm.jpg Prints - galley sock, 18:45:49 https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1793306196489-V96VBPPNVU9ZPD0FJ226/Alex+Anderson_galley+sock%2C+18-41-18+to+18-45-49_2026_front_55.6+x+84+cm.jpg Prints - galley sock, 18:41:18–18:45:49 https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/1793306199503-3O30ZHGQJ25PEV5OB399/Alex+Anderson_trabucco%2C+18-19-38_2026_front_55.6+x+84+cm.jpg Prints - trabucco, 18:19:38 https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/904b4c75-efaa-494f-a517-d1713c444a1b/Alex+Anderson_a+book+of+hours%2C+10+may+2016+%E2%80%93+15+august+2020_2026.jpg Prints https://www.asanderson.art/cv- daily 0.75 2026-10-14 https://www.asanderson.art/new-page-2 daily 0.75 2026-10-14 https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/a9eae276-ca85-4c78-a9b9-e6737b25b213/IMG_2294+4.jpeg About https://www.asanderson.art/contact daily 0.75 2026-10-14 https://www.asanderson.art/alecrim-dourado-468-867 daily 1.0 2026-10-29 https://images.squarespace-cdn.com/content/v1/5c3646c3620b85f38c4881dd/dab39b21-0602-419f-b063-4a1a2685385c/Alex+Anderson_alecrim+dourado%2C+468-867_2026_Archival+pigment+print+on+cotton+paper_84+x+55.6+cm.jpg alecrim dourado, 468–867